Aubrey has appeared internationally in Love’s Labor’s Lost at The Royal Shakespeare Company in Stratford-upon-Avon, Off-Broadway in the premiere of The Liar by David Ives at Classic Stage Company, and in thirteen productions as an affiliated artist at The Shakespeare Theatre Company in Washington, DC, including King Lear directed by Bob Falls, Mercutio in Romeo and Juliet, and Octavius Caesar in Antony and Cleopatra. Other credits include the title role in Hamlet and Tom in The Glass Menagerie (Denver Center Theatre Company), Prior Walter in Angels in America (Wilma Theater, Barrymore Nomination), An Enemy of the People (Goodman Theatre), Boom (Woolly Mammoth Theatre Company, Helen Hayes nomination), The Walworth Farce (Studio Theatre, Helen Hayes nomination), A Fox on the Fairway (Signature Theatre, Ken Ludwig world premiere), The Grapes of Wrath (Ford’s Theatre, dir. David Cromer), and productions at The Old Globe, South Coast Rep, The Kennedy Center, Round House Theatre, and Folger Theatre, among others. Television credits include Ridley Scott’s “The Man in the High Castle,” “True Blood,” “The Wire,” “The Mentalist,” “Castle,” “Backstrom," "NCIS,” “NCIS: New Orleans,” and “Crisis,” as well as the films So the Lord Must Wait, A Matter of Time, Distance, Leave No Marine Behind, and The Seer. Aubrey is an educator and an audiobook narrator, and received his undergraduate degree from The School of Drama at The University of North Carolina School of the Arts.


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Private funding for the program has been contributed through a generous endowment established by

Donald and Darlene Shiley

Additional support for the program is provided by

The Globe Guilders

Terry Atkinson

The Dorothy Brown Endowment Fund

Louis Yager Cantwell Foundation